Worth, Charles Frédérick, 1825-1895 (designer); Worth and Bobergh (designer)
1861
Although married in Chicago in 1858, it was not until 1874 that the McCormick family constructed a permanent Chicago residence. They had homes in both New York and Washington and traveled abroad extensively, particularly to European expositions at...
James, Charles, 1906-1978 (designer); Marshall Field & Company (distributor)
1954
Charles James originally designed the Butterfly ball gown for Mrs. William Randolph Hearst Jr., for the price of $1,250. The sculptural design lives up to a comment once made by Spanish couturier Cristbal Balenciaga, "Charles James is not only the...
Court presentation dress worn by donor Mrs. Charles S. Dewey when presented at the Court of St. James in 1927 while her husband was Assistant Secretary of the United States Treasury Department. This kind of dress, with its dropped waistline and...
Designed initially in black silk chiffon and tulle, this gown became James's most executed custom order. Vogue featured the garment in 1951. James's wife, Nancy, wore it in the mid 1950s and he created at least one version with a cocktail-length...
During a visit to the Museum in 1974, James noted that this dress was originally created for Marjorie Merriweather Post. A review of the interior shows numerous alterations, including a large reduction in the overall size of the torso and hips. ...
Frances Lee purchased this dress from the custom bridal salon at Marshall Field & Co. The wedding was located at the Glessner's Prairie Avenue mansion on Chicago's South Side.
In 1934, as James's reputation as a dressmaker was growing, his mother arranged for a showing of his collection at Marshall Field and Company, Chicago's socialites "came to see their insouciant young friend, whose hats were thought clever but whose...
In James's ranking of his top four creations, the Pagoda came in at number four for its emphasis on the "fine art of tailoring." Originally designed in 1954, Harper's Bazaar featured the suit in its July 1955 issue, the same year it was purchased...
In the late 1950s, James created a limited number of designs for Albrecht Furs using a faux fur called Borgana, which was supplied and marketed by the company. Although James liked to experiment with manmade materials for the interiors of his...
James created his first Tree gown in 1955; this version followed two years later. He stated that the design used "faille stretched like a ruched membrane over a stiffened shell molded NOT to the figure of the client, but to the shape I wished it...
James designed this dress for New Yorker Millicent Rogers in 1949. Two year later the design appeared in Vogue magazine, when it was photographed by Horst and included in James's "black and white" collection. James described the dress as a...
James launched this mermaid-like gown early in his career and created several versions of it over a period of twenty years. The name of the dress, La Sirène, refers to sea creatures in Greek mythology who used their enchanting voices to lure...
Mrs.Donnelley was one of James's first clients and became aware of his talents through her friend, James's mother, Louise Brega James. Many of James's first clients were friends of his mother and his family who lived in Chicago dating back to the...
Mrs.Donnelley was one of James's first clients and became aware of his talents through her friend, James's mother, Louise Brega James. Many of James's first clients were friends of his mother and his family who lived in Chicago dating back to the...
